Manual Black Swan: A Koorie womans life

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How as a non-Aboriginal professor, do I supervise an Elder and Custodian who is researching her Country? This supervisory relationship challenges me to continually think through my positionality. This might sound unusual; yet I hope it conveys some sense of the extent and depth of Aboriginal knowledges, of the demands of the learning processes, of the importance of not knowing, of listening, and of how the journey shapes us and how this shaping is a necessity.

To celebrate 27 years since the Mabo decision, we take a look at some of the key facts from this significant milestone in our history. University home. Current students. Staff intranet.

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Type to search Search. All content. Because of them, we can. From storytellers and activists to mothers and leaders, the active participation and strength of Indigenous women has enabled generations who have followed. With this theme in mind, we asked some of our staff: How have Aboriginal and Torres Strait Islander women shaped your research or life?

Australian Biography

Dr Katrina Thorpe — maternal support to focus on social justice goals. By Leila.

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Tracey Cameron — generations of political activism and social change. Dr Sheelagh Daniels-Mayes — cultural connection through family. Because of her, my mum, I have become a proud Kamilaroi woman. Nyssa Lee Murray — passing on knowledge. Dr Lynette Riley — changing education. Professor Juanita Sherwood — Indigenous research methodologies. Associate Professor Annie Clarke — community research on country. Professor Valerie Harwood — learning from Elders. Emily Jane Orchard, date unknown.

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Nyssa Murray with mother Bronwyn Murray. Photo: Mario Faggion Rachel Fergus. Media and PR Advisor. Related articles. On-campus exam prep for Year 12 Indigenous students The University's winter program for Aboriginal and Torres Strait Islander Year 12 students will provide academic support ahead of final exams, and guidance for applying to and starting university. National Reconciliation Week: Why history matters Ahead of National Reconciliation Week, Aboriginal and Torres Strait Islander academics from the University of Sydney explore how the theme - Don't let history be a mystery - is crucial to their work, and Australia's future.

Five things you should know about the Mabo decision To celebrate 27 years since the Mabo decision, we take a look at some of the key facts from this significant milestone in our history. Leadership for good starts here. Bonner helped change the face of Aboriginal rights in Australia. He was an honest man who never let anger dominate his work.

He captured the hearts and minds of a nation in with his debut album Charcoal Lane and the landmark song Took The Children Away which tells the story when he was stolen from his family. Throughout his life Archie has worked tirelessly to heal the Stolen Generations. In the late s Archie and his long-term partner and soul mate Ruby Hunter formed a band, the Altogethers, with several other Aboriginal musicians.

In Ruby died, shattering Archie. In mid he was diagnosed with the early stages of lung cancer and had to go into rehabilitation. Archie has gone from singing songs about suffering and pain to more uplifting songs after letting go of the past and overcoming his challenges. Bronwyn Bancroft is an Australian artist who is amongst the first Australian fashion designers invited to show her work in Paris.

Trained in Canberra and Sydney, Bancroft worked as a fashion designer, and is an artist, illustrator, and arts administrator. In , Bancroft established a shop called Designer Aboriginals, selling fabrics made by Aboriginal artists including herself. She is also a founding member of Boomalli Aboriginal Artists Co-operative.

She has provided art work for more than 20 children's books, including Stradbroke Dreaming by writer and Aboriginal activist Oodgeroo Noonuccal, and books by artist and writer Sally Morgan. Bancroft has a long history of involvement in community activism and arts administration, and has served as a board member for the National Gallery of Australia.

He is also Australian of the Year Adam was actively involved with several Aboriginal sport and community programs. He spent time working with troubled youth, including those in youth detention centres. Adam co-chairs the foundation, focused on promoting education, employment and healthy lifestyles. Adam is a great role model and advocate for the fight against racism both on and off the field. In he objected to a racist slur from a teenage fan. Because of this he endured more than 12 months of booing from audiences which led to a "I Stand With Adam" campaign against racism. Two films document his 'final quarter'.

Albert Namatjira Elea is his birth name was the first Aboriginal person to become an internationally renowned artist. He always enjoyed painting whilst he was growing up, but it was not until aged 32 years that he began to paint seriously.


A man named Rex Battarbee taught Namatjira a lot about the skill of painting, and Namatjira showed Rex some of the best places to paint in Australia. Namatjira's art was very different to traditional Aboriginal art. His first exhibition went on show in in Melbourne, where his paintings sold out. His success continued and his paintings became very valuable. Although he had become very successful and made a great deal of money, Namatjira still had to follow the strict laws placed on Aboriginal people during that time. He was not allowed to buy a home or any land, and could not rent a property.

In , Namatjira became the first Aboriginal person to become an Australian citizen. His art and his life made governments aware of how Aboriginal people were being treated in Australia during that period. Emily Kame Kngwarreye is one of Australia's most significant contemporary Aboriginal artists.

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Emily was born at the beginning of the 20th century and grew up in a remote desert area known as Utopia, kilometres north-east of Alice Springs, distant from the art world that sought her work. Although Emily began to paint late in her life she was a prolific artist who often worked at a pace that belied her advanced age. It is estimated that she produced more than 3, paintings in the course of her 8-year painting career--an average of one painting per day.

For virtually two-thirds of her life she had only sporadic contact with the outside world. It was not until she was about 80 that she became, almost overnight, an artist of national and international standing. She received the Australian Artist's Creative Fellowship award in Her remarkable work was inspired by her cultural life as an Anmatyerre elder, and her lifelong custodianship of the women's Dreaming sites in her clan country, Alhalkere. Help Centre. Track My Order. My Wishlist Sign In Join. Be the first to write a review.

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